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Mathias Woo Yan Wai (; born 1968) is a cultural worker in the cross-media discipline in Hong Kong, with creative works ranging from theatre and multi-media design, to cultural policy research and analysis, art education, architectural design and screenplay writing. Woo was born in Hong Kong, and studied architecture at The University of Hong Kong and Architectural Association, London. Woo joined the arts collective Zuni Icosahedron in 1988, and is now the Executive Director and Co-Artistic Director of the group. Since the 1980s, he has been actively involving in the areas of politics, cultural policy, urban development and social welfare. In 1996, Woo founded the Hong Kong Development and Strategic Research Centre (HKDSRC), and is also the chairperson of the organisation. Over the past years, He has initiated a series of studies on arts and cultural policies, including both the 1991 & 1993 edition of "In Search of Cultural Policy", "In Search of Film Policy 97" and "In Search of Information Policy 97". Woo has been writing regularly for newspapers and magazines on architecture, arts, culture, and the media since the 1990s. His writings could be seen in publications like ''Yazhou Zhoukan'', ''HK Economic Times'', ''Ming Pao'' and ''CUP Magazine''. In 2006, Woo was appointed by the government of the HKSAR as a member of Public Service Broadcasting Review Committee, and also a member of the Advisory Groups (Performing Arts and Tourism) of the Consultative Committee on the Core Arts and Cultural Facilities of the West Kowloon Cultural District; in 2009, Woo was appointed member of the Task Force on Economic Challenges by the Chief Executive. ==Theatre Works== * Woo has produced and directed more than 50 theatre works. His theatre works cover a wide range of topics, such as literature, history, politics, current affairs, architecture and religion, and they were performed around the globe in cities like Beijing, Tokyo, Nanjing, Taipei, Singapore, Berlin, etc. * Woo pioneered the “multimedia architecture music theatre series”, including ''The Life and Times of Louis I. Kahn'', ''Looking for Mies'' and ''Corbu''. He also created multimedia performances, such as ''Hua-yen Sutra'', integrating Buddhist doctrines with interactive multimedia and elements of contemporary arts. They were great successes merging theatre spaces and the multi media together, exploring the potentials of these features to the fullest. They infuse new dynamic into Hong Kong performing arts, and are vanguards in the history of Chinese theatre. *''East Wing West Wing'', a political comedy series exploring and discussing the political situation in Hong Kong, is very popular among the public and top government officials. Together with “the social theatre series”- ''The Agent and All You Want to Complain about Hong Kong TV'', a Three-letter Opera which discusses the education policy of Hong Kong, reflecting his critical views and comments on various social issues and my passion in promoting civil education * In 2008, Woo collaborated with the Jiangsu Kunqu Opera Troupe, and produced the innovative performance of ''Tang Xianzu’s Dream on Dreams'', which is a work aiming at preserving the heritage of traditional Chinese performing arts. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Mathias Woo」の詳細全文を読む スポンサード リンク
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